Do dominó às Máscaras: o jogo autoficcional na contística florbeliana

Abstract

This thesis discusses and analyzes Florbela Espanca's tales by the bias of written of you, with reflections subsidized by critics such as Philippe Lejeune (2008) (2013) (2014), Doubrovsky (2014), Colonna (2004) (2014), Sébastien Hubier (2003), among others. It seems useful to me, for the study of Florbelian prose, to use the concept of autofiction. The research shows how the Alentejo poetess transforms the events of her life into fiction, being able to act as an actress of her own spectacle, in a literary game that now reveals, or disguises the pain, and does not rule out the reader's "participation" in (re)construction of the senses. The rDeoamdiinngó fPorceutsoe",s " Aonm tohre d tea lOesu:t"rMorual"h,e prr edsee Pnet rind:iç Oã oD",o "mÀi nMóa Prgreetmo; daunmd "SOo Anevtiaod",o "rO", "A Morta", “Os Mortos não Voltam", "O Resto é Perfume ","O Inventor", in As Máscaras do Destino. The research methodology, based on the aforementioned critics who reflect on autobiography and autofiction, is based on theoretical texts on author / narrator, implied author, by Wayne Booth (1980), Maria Lúcia Dal Farra (1898), Roland Barthes (1975). In addition to the concepts mentioned here, I drew a self-made cartography of Florbela Espanca, highlighting the multiple faces of the Calipolean poetess.