A arte do rap como instrumento de transformação social e educação para a paz sob a ótica da mulher negra

Abstract

This research seeks to explain how art, especially in music and some musical genres, contributes to the dissemination of cultures, political and racial awareness, functioning such as protest, complaint, identity affirmation, which may last over time. Also, try to open parameters to identify how some songs can cause social transformations, through symbolism, repercussion and influence, and It may have a national, regional or international scope. This research has explanatory character, delimiting the focus of the research within a race and gender perspective, since the beginning of protest songs in the black community coming from the United States, which began with the enslavement of black people and afro musicality form, in this cultural element was found a type of formation for African identity and was established in this country in 1950s with the Movement for Civil Rights and the end of racial segregation, with the styles of Rap, Hip Hop and Funk, as a language of the outskirts, until 2023, analyzing the musical style and the provocations against race and gender and how it made the impact, influenced people and the community. Try to understand how music, sometimes marginalized as a study object in International Relations, can be a great source of social transformation, which can be treated, starting from the moment of Aesthetic Turn in International Relations and Peace Studies. Therefore, were also analyzed national Rap songs, with the intersection of gender, race and class as a way of understanding their experience. The research also aims to encourage critical reflection on how to seek alternatives for a culture of peace and social justice in places where violence is invigorated, and see if this aesthetic involvement in communities violent incidents contribute to studies on promoting peace and reducing litigation.