Articulações armoriais: uma abordagem dialógica/intertextual do universo literário do Lunário Perpétuo.

Abstract

The Armorial Movement, idealized by Ariano Suassuna, aims at creating an erudite art based on elements of the popular culture of Northeastern Brazil. To attain this end, it seeks to convey several forms of artistic expression such as music, dance, literature, fine arts and songs, issues that constitute our object of analysis in this study. This important feature helps us to establish the dialogical character which is inherent to the Armorial Movement. In the current scenario we find Antonio Nobrega as one of the artists that summarize the armorial purpose of integration between these various forms of expression. Nobrega prints in his work some features of great cultural value in order to trace links between the several influences that form the frame of the Brazilian Culture. It is our intention here to analyze the intertextual references and the processes present in the collection of songs that compose his concert Lunário Perpétuo, from the viewpoint of the language and of the armorial values.Thus, the concretization of this work is justified as an opportunity to gather in the same object of study aspects that feature a literary artistic movement while establish a dialogue with the different works that make up the bulk of Brazilian literature, in order to contribute to the process of building a diversified popular imaginary.