MANGUEBEAT, INTERDISCURSO E INTERSEMIOSE: UMA RESPOSTA DO CONTEMPORÂNEO AO PÓS-MODERNO

Abstract

Having the cultural view of manguebeat from Pernambuco as a musical poetic phenomena as a feature of mass poetry of nowadays, our investigative aim is towards to intersemiotics and interdiscursive studies coming from the relation between global mass media culture and regional elements from Brazilian Northeast, in a hybrid anthropophagy fusion within crossbred traditions and musical operations found in this musical project. In this picture, we have analysed manguebeat by making use of interpreting methods of some lyrics taken from records Da Lama ao Caos (From mud into caos), 1994, and Afrociberdelia 1996, material which will be put together with other semiotics resources used in the mangrove, as the performance and the costumes for instance, so that we can make sure about the critical-aesthetic-cultural behaviour elaborated by this poetic-cultural project. This way, we have found that the hybridization of the ways and supports creates again and again new ways of manifestations of language, generating convergence between pre-literary and post-literary phenomena, having in the interculture and the intersemiosis its most relevant vector. Such relations existing in the mangrove project , just come to build a new way of poetry, checking list the outstanding vision of literature, opening space to a construction of a poetry turning not only to literary literature , but coming up as a new way to handle the text, across the fusion of several elements constituting the semiotics world which rules at present times, thus generating the crisis of the literary institution and expanding literature itself to byond its hard borders.