Movimentos para fora do eu e produção de singularidades na poesia brasileira contemporânea escrita por mulheres

Abstract

Our aim in this dissertation work is to present an overview of the poetic voice in contemporary Brazilian poetry written by women, based on the poetic productions of Cora Coralina, Ana Cristina Cesar, Alice Ruiz and Marília Garcia. We intend to understand how the poetic voice has been engendered in this poetry, considering that many studies still understand this voice as a single, identical, essentialist self. Our intention is, therefore, to note that the voice makes movements out of the self, produces singularities. The ‘poetic self’ is decentralized, fragmented; it does not, therefore, have a single, identity, closed substance, since the outset, but it is a process, becoming. This time, the poetic making itself is also reflected, problematized. That said, some studies help us to better understand these movements, such as Rezende (2013), Garramuño (2016) and Magalhães (2017), regarding the poetic self and contemporary poetry; Cortázar (1947) and Justino (2015; 2019) about movements outside the self; Klinger (2007) and Nascimento (2017), regarding self-fiction; Deleuze and Guattari (1995; 1997a; 1997b), about some fundamental concepts such as rhizome, body without organs, becoming, etc.; and Busato (2015), regarding the urban space and its relationship with the subjects; among others that serve as a theoretical contribution to the development of this research. This work is divided into three moments. In the first we study the poetry of Cora Coralina, seeking to understand how self-fiction is circumscribed in her texts; in the second, we approach the poetry of Ana Cristina Cesar and Alice Ruiz, understanding how the becoming-woman is engendered by the poets; in the third, we discuss the movements of the poetic voice in the poetry of Marília Garcia. We also emphasize that these concepts intersect, at some point, in the poetic projects of each of the writers, and it is from them that we can understand how movements out of the self happen in their poetry.