Discussões em torno do narrador e da transposição midiática: Crise nas Infinitas Terras – da série de HQ's para um romance

Abstract

This work analyses the medial transposition of the maxiseries Crisis on Infinite Earths (WOLFMAN; PEREZ, 1985-6), from the comics to a novel which carries the same title (WOLFMAN, 2005). In this analysis, we intend to understand how works in this transposition the relation between the different media of the story, as well as are discussed the changes in the points of view, from the target text to the source text. We base our discussions on some works concerning adaptation, from authors as Hutcheon (2013), Sanders (2006) and Rajweski (2005), in order to understand what concerns the market and reception of adapted works, and there is also some emphasis on the specificities of each media, and their potentialities, founded on Chatman (1980), Groensteen (2007; 2013), Cagnin (2014) and Saraceni (2003). At least, we discuss the changes in the points of view in the adaptation (comics novel), through the contributions of Booth (1983), Chatman (1980), Leite (1989) and Genette (1995). We will verify, through the analysis and interpretation, how the plot is altered by the changes in the point of view, how the characters are reconsidered inside the work and how the interest pivots are altered aound the subplots and characters. At the end of the work, we conclude that some devices used, as the space of the mind, though being native of the novel, can be used also in comics, as well as there is some emphasis on the changing of the points of view from the comics, in zero focalization, to the novel, in internal focalization, what allows the creation of a narrative that reinforces the subjectivities of the characters involved, also giving them greater depth and visibility in the narrative.