A verve do marginal em Marcelino Freire: um estudo da performance de voz subalterna na versão audiolivro da obra Contos Negreiros

Abstract

This study proposes an approach to the mechanisms used for the construction of the subaltern voice performance from an examination of Contos Negreiros, book written by Marcelino Freire, launched in two media (printed, in 2005 and audiobook, in 2009). Therefore, the research rallies clippings of contemporary discussions about the different instances of exclusion/marginalization, and their effects in the field of artistic representation (Spivak, 2010; Virno, 2007; Hardt and Negri, 2005; Bhabha, 1998; Gumbrecht 1998, Gilroy, 2001; Perlman, 1977). The fabric in these discussions, an attempt is made to show that, when taken in the literature, all the growing social inequalities experienced, especially in the urban setting, tends to produce in the current scene, a plurality of discourses, which, through different vehicles, try to make yourself heard. Freire 's writing, particularly in the work concerned, strongly anchored in a oralization mechanism designs impregnated dictions weight that the absence or failure print materials on the subjects progressively pushed to the "zone of not invited". The assignment of a non-place in the social game, which precisely why, creates the ambience conducive to the performance of a character - voice screaming pains, joys, impossibilities and fractures. Personas that exist for laboring. Uneasy, shocked, indignant, finally, it present via voice, the condition of those silenced, lived on the banks so far. The central hypothesis therefore is that all this labor, this utterance, that the strength of voice that is presence, overflows into the performative dimension within two mounts of Contos Negreiros